Monday, 24 August 2009

//Equal Temperance Reviewed in Saatchi Gallery Magazine//

"He doesn't quite hammer nails through his piano, but shortly after beginning to play Kier Vine does get to his feet and walk away. His instrument carries on playing, thanks to the magic of electronica and the recital takes a turn for the weird. So does the whole evening.
Vine and producer James Bulley have spent three weeks reworking the material so the result is both ghostly and hypnotic. Despite the empty stage, it leaves an early evening audience spellbound."

Mark Sheerin

The QEH performance of 'Equal Temperance' was reviewed by Mark Sheerin for Art&Music - You can read the full article here